Chanel's makeup in Los Goya

We have Chanel makeup professionals again to reveal the tricks of the Goya 2020 red carpet.

DRAFTING

Greta Fernández: Makeup by David Bello for Chanel

Greta's look is inspired by the beauty of Audrey Hepburn, with translucent textures for a natural and eternal finish. A contemporary natural makeup with centers and bitten lip, fruity. We have left the perfect skin with the Teint Ultra Velvet in the light tone, because being mate she leaves the skin as a perfect canvas, but at the same time transparent. Then on top, we play with the new Eclat Du Desert illuminator, at important points such as the upper part of the cheekbone, the arc of Cupid and the central area of ​​the face. Then, to highlight the gaze but without marking it, we have worked with the brown and land tones of the new palette of the “elementary” ombres in the entire eyelid without creating a difference between the mobile and superior eyelid to create as a skate Around the look. An inimitable mask touch to lengthen the tab, and a touch of Le Crayon Lèvres "Bois de Rose", pink nude on the lips to create an appetizing but natural lip, as a bitten lip.

Mona Martínez: Makeup by David Bello for Chanel

The Mona look is inspired by the National Ballet of Cuba.A fresh and crystallized makeup to highlight the elegance of her features.For a light skin, I first worked the skin with the LE Lift treatment, with a massage to have a straightened and well hydrated skin.I applied Les Beiges Eau de Teint, because it illuminates the skin, unifying it but leaving a lot of transparency, which is what we were looking for.To highlight the beautiful look of Mona, I decided to use 4 Warm Memories ombres, to create a light tones in natural tones that stand out without recharging.And above, an Eye Line of horizontal projection with Chanel signature to reinforce the cat's eyes effect.In the end, a little inimitable mask on the top tabs to finish this effect and raise the look even more.To complement it, I put a touch of Rouge Allure Camelia in the mouth, in the Camelia Rose tone and a little Eclat du Desert to illuminate the high points of her face.

Belén Cuesta: Makeup by Iván Gómez for Chanel

Bethlehem's makeup focuses on the lips so that the main focus of face is the mouth. For that I first wanted a neutral, juicy skin, very transparent. I have applied a first layer with Ultra Leint Velvet to give total uniformity but then the professional trick is to apply Les Beiges Eau de Teint in specific areas to achieve this bare skin effect. First we work a first surface to correct and neutralize and then the Eau de Teint touch makes the skin appear as transparent. The clean look: with ombre Premiere Laque in the Quartz Rose tone of this collection, a touch to obtain a luminous watering finish. A very very light look, but at the same time very flattering, very bright. I wanted to tend to angelic and give as a more romantic effect to the look to leave all the prominence of pigments on the lips with a very deep red, very matte, very cold, with a raspberry reflex with Rouge Allure Velvet Extrême Mute Fuchsia. I have enhanced the natural pequitas to give this transparent skin finish with Eclat du desert and I have put a touch of very pink contrast to give this sophisticated but at the same time romantic effect that softens the factions and at the same time of good -face appearance.

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Maribel Verdú: Makeup by Iván Gómez for Chanel

Maribel's makeup focuses on his eyes. I have worked a smoked with great external direction to define and tear my gaze. The shades range from the most intense and deep black through the coppery brown to finally reach the golden area of ​​the pupil, to illuminate and make it flicker, illuminate and refresh the look. For this I have used the ombres noir suprême, for dark tones and then a touch of the unique shadow unique “Poudre d’Or”. I have given some touchs on the pupil and the lower area of ​​the eyelashes at the same height as the pupil, with a golden glitter. Then double layer of mascara: first inimitable that allows me to lengthen and separate the eyelashes and then volume revolution to give thickness and postpage eyelashes that gives even more depth to the look. The very natural skin, nude with a subtle touch of illuminator Eclat du Desert, in the upper cheekbone zone. And a very bright, natural lipstick, slightly beige rouge coconut flash "boy."

Bárbara Lennie: Makeup by Raquel Álvarez for Chanel

Barbara has a nude minimal aesthetic dress and a black bond protagonist on the back. Knowing this, our intention was to make a cawing look in pastel tones that dulcaked its features and contribute freshness, without becoming romantic. For the skin I have used Les Beiges Eau de Teint with the aim of homogenizing the tone and with the Essentiallle Palette in the clear tone, I have added coverage in the central area of ​​the face since it provides more visual cleaning, and in photocall it is very important to make Those three -dimensional effects on the face. For the look, we were clear that the peach/pink tones would provide elegance and freshness, and I have played with the duality of matte/metallic textures. I have used the palette of the spring summer collection Les 4 ombres Warm Memories, and ombre Premère laque in the Quartz Rose tone in tear and center of the eyelid to provide volume. The lips and cheeks have played a monochromatic role using a pink-melocoton tone Rouge Allure Liquid Power in the mouth and a touch of Blush joues contrast Orchid Rose on the cheeks.

A trick: to enhance the high points of the face, and create volumes and this beautiful complexion, I applied in those points the new Illuminator Eclat du Desert and then on top, for a more wet effect a little Essential Baume.

Najwa Nimri: Makeup by Raquel Álvarez for Chanel

With Najwa's look, I was inspired by the purity and peace that the white tone transmits to me. A canvas that you can chromatically mold to your liking to transmit the desired effect. In this case, we wanted the focus of the look to be the eyes, with a very clean face. A torn smoky smoking that contributed strength to the look using the gray range of the Les 4 Ombres Modern Glamor, combining it with warmer tones from the spring collection Les 4 ombres Warm Memories. To frame the eye, a fine stroke of Eye Lner Signature of Chanel, in black tone and a very generous amount of mask of tabs volume revolution. The skin is a very important point when there is a photocall theme, so the preparation was studied in detail: le lift serum, patches le lift in the eyes to reduce bags and dark circles and to finish the creme le lift. As a base, I used Ultra Leint Velvet, my key base for events with flashes: it endures many hours and is very beautiful in photo since it is mate. To contribute some juiciness, I applied a touch of esteniel baume on the cheeks. And lip lips bitten.

Ángela Molina: Makeup by Carmen de Juan for Chanel

To highlight Angela's racial beauty I wanted a very bright skin, a look with strength and a beautiful lip. I have worked natural and juicy skin using Le Blanc de Chanel with makeup base to illuminate and soften the features. Then to create fresh and radiant skin, I have applied Les Beiges Eau de Teint Light in the center of the face and medium light in the contours to create volumes. In the cheekbone, I ended up with a touch of Eclat du desert to give color and reinforce the volume. In the eye, to look at the look, I have worked a very blurred eyeliner with Stylo Yeux Waterproof Noir, and on top of a little chanel synature to finish frame and a touch of inimitable mask only in the upper tabs, to open the look. In the eyelid, a touch natural shadows with the 4 elementary ombres. Then for the lips, I first hydrated them with Les Beiges Baume à Lèvres Belle Mine Deep, after I delineated his lip with Le Crayon Lèvres Rouge Intense, and final touch with the Lip bar Rouge Allur Camelia, in the Camélia Carmin tone.

A trick: give touches with the bar, to give the intensity we want.

Marisa Paredes: Makeup by Raquel Álvarez for Chanel

To enhance Marisa's natural beauty and elegance, my intention was undoubtedly finding a chromatic and plastic balance between the look and lips. In mature skin, the previous treatment of makeup is crucial for you to endure in perfect condition. LE Lift patches are a safe bet, as well as the sublimage line, the most enriched in terms of ingredients of all lines. In this case, I love to end with a touch of the sublimage mist, which brings luminosity, and a lot of juicy with a filler effect and helps to hold the makeup. Above I used the Vitalumière Aqua base, all over the face with a very light application as a veil. This base provides us with hydration with the passing of the hours but is not excessively satin, so it is perfect for this type of skins. In the eyes, ombre première laque quartz rose in the mobile eyelids, a black ascending black eyeliner with signature of Chanel, and blurred with the reddish and hot brown tones 4 ombres Blurry Mauve. The mask of eyelashes used was inimitable, perfect to get a long and separate tab. For the lips a cherry tone Rouge Allure ink Fusion Berry.

Marta Etura: Makeup by Carmen de Juan for Chanel

For Marta, we chose a classic makeup more focused on the eyes to highlight the gaze and accompany the general look.Natural skin giving light points with lighting in white and golden tones using Eclat du Desert, which creates these golden reflexes on a satin pink beige base in cheekbones and high parts of the face.We work our eyes with golden tones in mobile and tear eyelids and brown tones at the ends of the eye to extend and deepen the look.For this we use the Les 4 ombres Elegants palette and the Omano Prmière shadow in the golden tone.A trick: Draw the eye with the pencil ombre et contaur Brun: you do as a kind of blurred eyeliner and you are up and down extending to the outside to make the eye bigger.In the lip, Rouge Allure Velvet Extrêm Endless, a very beautiful tone that raises the natural color of her mouth but without getting too much attention, favoring but leaving it quite neutral.

Nuria Gago: Makeup by Noemie Nohales for Chanel

Nuria's look focuses on a red lip accompanied by a classic eyeliner to create a classic and very French beauty.She very chanel as she asks for her look.A clean, mate and transparent complexand a juicy and appetizing complexion.To make this very French look, first I put the Haters première laque in the Quartz Rose tone in the mobile eyelid to illuminate and create a beautiful, flattering and natural background, and on top of that I made an eye lner with signature of Chanel.I ended up with an inimitable mask to further lengthening the look.For the red mouth, I chose Rouge Allure Ink, Matte Liquid Bar Second Skin, in the Fresh Red tone.

A trick to make up the mouths in red tones: put a little corrector or illuminator around the mouth, with a fine brush just after, to highlight the red, highlight the mouth and illuminate the small defects.It is a way of delineating but more subtle and soft than with a pencil.In this case I have used the corrector of the Essential Palette.

Irene Montalá: Makeup by Noemie Nohales for Chanel

For Irene, the idea was to give importance to the tab rather than anything of the face.For this I left the skin very natural just by highlighting points of light in some areas of the face with the illuminator of the Eclat du Desert collection.In the upper part of the cheekbone, the fixed eyelid under the eyebrow, and some central areas of the face.Then on the mobile eyelid, I applied the Liquid Shadow PREMIère laque in the golden tone, "Rayon", to give more luminosity and depth.For the eyelashes, I started with a base, and then put a layer of inimitable to separate them well and lengthen them and then put a layer of le volume to thicken them.To accompany the look, I put Rouge Allure Velvet Endless, a bar with a fairly natural but matte tone.Thus we create within a neutral hue, we create different effects playing with textures, but without removing prominence.

The trick: for cream shadow, use a bevel brush that allows more precision to be applied and thus highlight where you want to put the points of light.

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