Paché Merayogijón.
Last Friday, the 'resistance', dramatic, beautiful and powerful of Soledad Córdoba, as a speech on the power of each against the world and circumstances and circumstances.On his strokes, meters from the three screens that tell his history and the golden warriors that underpin it, it will open in a few weeks 'The Happy Corner'.An exhibition, curated by Natalia Alonso, who recovers the essence of Henry James's old homonymous text, with the strength of eight creators.Four Asturians, Federico Granell, Mónica Dixón, Christian Domínguez and Kela Coto, and four from outside Asturias, José Quintanilla, Rosell Meseguer, César Lacalle and the Slovenian Primoz Bizjak.
Among all, they will compose a collection of paintings and photographs, which will occupy the entire museum's first floor.There is no place this time for sculpture, although some of those selected is essentially sculptor, as is the case of Granell, because one of the maxims of the sample is the total absence of the human figure, even if this being an essential part of thecites, since what will offer 'El Rincón happy' will be a look towards the relationship of man and woman with his habitable environment."What we want to tell is how the place we occupy can totally condition us," says the curator, who settled yesterday, along with Cristina Ferrández, the exhibition that the artist opens this afternoon at the Center for Old Culture Institute.
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According to Natalia Alonso, what the eight creators will do in the barbola is to account for "habitat anthropization".That is, they will talk to their pieces of the transformation that the human being exercises over the environment."That's why James resort to" and his ghost story, "because Spencer Brydon, his protagonist, meets his own self when, after years living and traveling through Europe, he returns home in his new native York.The beloved corner that was his home is occupied by who he himself would have never become his city and his house.And that is the adventure, half theory of existence, half apology to talk about the world, which can be lived in the barola from May.
All summer
The exhibition, which will open its doors on the 19th of that month and for which the eight guests are still working, will remain on the walls of the Trinity architectural set throughout next summer, coinciding in part with the Soledad Córdoba project, which, whichIt is shown until June and with the painter's own work that gives its name to the museum, from which only the pieces that usually occupy the first floor will be collected.
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